The gravity of immersion, the pull of vast forces and unknowable silence.

Layered indigo draws the eye into an abyss that feels both still and immense. The surface holds its weight like deep water — quiet, impenetrable, magnetic.

More than an image, Mariana alters the room around it, resonating like a sound too low to hear but impossible to ignore.

Oil & Acrylic on Canvas, 120 × 120 cm
AUD 4,000

The slow weight of ice, the silence of glacial depths.

Pale layers hold both density and translucence, textured but restrained. The surface seems cold at first, but with time reveals complexity — fractures, seams, and subtleties that shift as the eye lingers.

Meltwater carries a paradoxical presence: insulative and heavy, yet dissolving, elusive, almost gone. It alters the room with a stillness that feels at once fragile and unyielding.

AUD 3,500

The force of motion, the surge of water in collision.

Blue and white converge in thick impasto, strokes layered with energy and refusal of stillness. The surface is alive, restless, a field that seems to push outward as much as it draws inward.

Maelstrom is less a depiction than an atmosphere — turbulence suspended, presence in flux. It alters the room not with silence but with charge, a resonance of energy caught and held.

Oil on Canvas, Framed
AUD 2,500

Geometry inscribed in white across a field of indigo, repetition becoming rhythm. The lines are measured but not mechanical — their subtle imperfections revealing the presence of the hand.

Metric holds tension between order and drift, precision and release. It is a meditation on proportion, a quiet architecture that resonates beyond its frame.

AUD 2,500

An echo returned from a long-forgotten time.

The hardened folds resemble relics uncovered, fragments pressed into permanence. What was once soft has become monumental, like a trace drawn out of the earth and held to light again.

Murmur carries the gravity of rediscovery — the quiet charge of what endures, and what emerges when the past refuses to disappear.

Fabric, Oil & Acrylic on Canvas, 120cm x 120cm
AUD 3,500

It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

A departure from surface into volume: dense sheepskin mounted on canvas, framed as if painting but asserting itself as object.

The work is less about image than sensation — long fibres shifting with light and movement, a field as much to be felt as to be seen.

Mongolian interrupts the expectation of the wall as flat. It alters a room not through depth of colour but through presence, tactility, and the urge to touch.

AUD 2,500